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Diatonic
Modes
Diatonic Scales and Modes
are described briefly in an earlier section in which the following table is
discussed. It identifies, for a given key, the relative key from which the notes
are used to form each diatonic mode:
Mode Play
notes from…
# frets away from the root…
Ionian (Major)
I
Dorian VII-
+10,
-2
Phrygian V+
+8,
-4
Lydian V
+7,
-5
Mixolydian
VI
+5,
-7
Aeolean (Minor) III-
+3,
-9
Locrian II-
+1,
-11 To play an Am Scale, one
would use the notes in the major scale of the flatted III chord (III-), which is
C. An Am scale contains the notes from a C major scale, except the scale starts
and ends on the A notes. The locations on the resonator guitar neck of the notes
in a C scale are identified in detail in other sections. An Am scale exercise
can be derived from any of the C Major Scale exercises:
A
B C D E
F G
A B C
D E
F G A
G F
E D C
B A
G F
E D C
B A
1
2 3- 4 5 6- 7- 1
2 3- 4
5 6- 7- 1
7- 6- 5 4
3- 2 1
7- 6- 5 4
3- 2 1
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| -------------------------------0--------5--7--5--------0-------------------------------- -------------------------0--1-----5--6-----------6--5-----1--0-------------------------- -------------------0--2-----------------------------------------2--0-------------------- ----------0--2--3-----------------------------------------------------3--2--0----------- ----0--1-----------------------------------------------------------------------1--0----- -2-----------------------------------------------------------------------------------2—- To play an Em Scale, one
would use the notes in the major scale of the flatted III chord, G, with the
scale starting and ending on the E notes.
Open Position Em exercise: E
F# G A
B C D E
D C
B A G
F# E D
C B A
G A
B C D
E 1
2 3- 4 5 6- 7- 1
7- 6- 5 4
3- 2 1 7- 6- 5
4 3- 4
5 6- 7- 1 |
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| -------------------0--2--0------------------------------------------------- -------------0--1-----------1--0------------------------------------------- -------0--2-----------------------2--0------------------------------------- -2--4-----------------------------------4--2--0-----------------------0--2- -------------------------------------------------1--0-----------0--1------- -------------------------------------------------------2--0--2------------- To play an A Mixolydian
Scale, one would use the major scale of the IV chord, D, with the scale starting
and ending on the A notes.
2 Octave A Mixolydian
exercise: A
B C# D E F# G
A B
C# D E F# G
A G
F# E D C# B
A G
F# E D C# B
A 1
2 3 4 5
6 7- 1
2 3
4 5 6
7- 1 7- 6
5 4 3
2 1
7- 6 5 4
3 2
1 |
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| -------------------------------0--------5--7--5--------0-------------------------------- -------------------------0--2-----5--7-----------7---5----2--0-------------------------- -------------------0--2-----------------------------------------2--0-------------------- ----------0--2--4-----------------------------------------------------4--2--0----------- ----0--2-----------------------------------------------------------------------2--0----- -2------------------------------------------------------------------------------------2- To play a G Dorian Scale,
one would use the major scale of the flatted VII chord, F, with the scale
starting and ending on the G notes.
2 Octave G Dorian exercise: G
A Bb C D E
F G
A Bb C D
E F
G F
E D C
Bb A G
F E D
C Bb A
G 1
2 3- 4 5 6
7- 1 2
3- 4 5 6
7- 1 7- 6
5 4 3- 2
1 7- 6
5 4
3- 2 1 |
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| ----------------------------------0--------5--------0----------------------------------- -------------------------------1-----5--6-----6--5-----1-------------------------------- ----------------------0--2--3-----------------------------3--2--0----------------------- -------------0--2--3-----------------------------------------------3--2--0-------------- ----------1-----------------------------------------------------------------1----------- -0--2--3-----------------------------------------------------------------------3--2--0— |
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